It's a challenge not to notice Giuliano Carmignola at the center, performing with the Venice Baroque Orchestra, as vividly captured by Chris Lee for the New York Times ('Young Italians Stand at Attention, Which Their Ensemble Attracts,' August 22, 2001). The brush wields authority here (it's a tyrant!), and the painter stands as a humble yet willing participant (hardly a lesser ruler).

This vibrant ensemble predominantly performs standing, each musician radiating energy and resolve. Their unwavering spirit encourages a celebration of Vivaldi and life itself. With bows soaring to new heights, who minds a bit of graffiti—words or even writing on the walls? 'The Bows but They Won't Bend' pays tribute to all the muses involved—the Composer, the Orchestra, the Reporter—and the painter can only comply, yielding to their collective inspiration.